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Bebop Spoken There

Red Nichols: “Bix could do more on one note than any group of 100 cornet players and you can put me at the last.” – (DownBeat August 1937).

Jimmy Cobb: “A lot of places we played in the States weren't ready for Trane's thing. At one club, a woman stood up and yelled at Miles, 'Make him stop.'” – (DownBeat April 2018)

Today Friday March 16


James Harrison Trio - Lit & Phil, Westgate Road, Newcastle NE1 1SE. 1:00pm. £5.00.

Giles Strong Trio - Bishop Auckland Town Hall, Market Place, Bishop Auckland Town Hall DL14 7NP. Tel: 03000 269 524. 1:00pm. £5.00.

Rendezvous Jazz - Monkseaton Arms, Front Street, Monkseaton NE25 8DP. Tel: 0191 251 3928. 1:00pm. Free.

Vieux Carré Jazzmen - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free.


Julija Jacenaite & Friends - Jazz Café, Pink Lane, Newcastle NE1 5DW. Tel: 0191 222 9882. 9:00pm. Free.

Rat Pack - Live from Las Vegas @ Sunderland Empire, High St West, Sunderland SR1 3EX. 7:30pm. Featuring Rat Pack Big Band & Burrelli Sisters.

Paul Edis Sextet - Traveller’s Rest, West Auckland Road, Cockerton, Darlington DL3 9ER. 8:30pm. £8.00. Opus 4 Jazz Club.

Washboard Resonators - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 9:00pm. Free.

Newcastle University Jazz Orchestra - Kommunity, Market Street, Newcastle NE1 6BH. 7:30pm. ‘End of Term Party’ promoted by NUJO (various performers, some from NUJO).

Steve Bone - Al Forno, 81 Skinnergate, Darlington DL3 7LX. 7pm.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, January 29, 2015

CD review: Jack DeJohnette – Made in Chicago

Jack DeJohnette (drums), Muhal Richard Abrams (piano), Larry Gray (double bass & cello), Roscoe Mitchell (sopranino, soprano & alto saxophones, baroque flute, bass recorder) & Henry Threadgill (alto saxophone & bass flute)
(Review by Russell).
Made in Chicago was made at the 2013 Chicago Jazz Festival. Five veterans of the scene on Chicago’s Southside united after fifty years travelling the globe in their own and other bands to open the thirty fifth edition of the Windy City’s annual parkland jazz jamboree. 
Jack DeJohnette accepted an invitation to put together a group entirely of his choosing to play music of his/their choosing. The legendary drummer made a few calls to friends and the project was on. 
The album marks the half century of the AACM (Association for the Advancement of Creative Musicians) founded by Muhal Richard Abrams and is released on Manfred Eicher’s ECM label. In 1962 Jack DeJohnette’s college class mates included  Roscoe Mitchell and Henry Threadgill. One of DeJohnette’s first professional jobs was to work with Abrams in the pianist’s Experimental Band. Bassist Larry Gray first worked in DeJohnette’s company in the 1990s and although several years junior, he too qualifies as a veteran performer.
The concert begins with Abrams’ piano and reeds developing a simple motif. DeJohnette builds momentum with mallets, Abrams sketches a dream sequence until Roscoe Mitchell takes command with a furious Eastern-influenced melody (the title – Chant). DeJohnette hammers toms and crashes cymbals for all he is worth until Mitchell, the composer, calls a sudden halt. Jack 5 (comp. Abrams) surely references the on-stage quintet. Larry Gray lays down a walking-pace bass line right out of Dave Holland’s Bitches Brew tenure with Miles. Stately horns have their say, DeJohnette roams across his kit (distant applause can be heard from the ten thousand strong festival crowd). Composer Mitchell’s baroque flute has a whispered conversation with Gray’s cello on This. Piano and drums attempt to fill a void at a masterly slow tempo.
DeJohnette’s Museum of Time maintains the downbeat, ‘new music’ thread. The straining horns of Mitchell and Henry Threadgill step aside as Abrams’ ruminating piano coaxes a final, rolling flourish from DeJohnette topped-off by A-grade fizzing sticks-work around the hi-hat. Abrams’ dazzling, dense piano playing on Threadgill’s Leave Don’t Go Away threatens a full-blown free piece only to be hijacked by a drum and bass master class and a grateful composer weighs in with a robust coda. The Made in Chicago concert ends on a high. Ten Minutes (a group composition) blows away any wannabees. The five master musicians go for it, hell for leather, in the style of ACV’s Without Bones.
Jack DeJohnette’s Made in Chicago is available on ECM (catalogue no. 378 0935).

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: I look forward to hearing from you.