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Bebop Spoken There

Béla Fleck: “ And that's the great thing about live performances, you take people on a journey. It doesn't have to be like something else they've heard. It's not supposed to be". DownBeat, April, 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16287 (and counting) posts since we started blogging 16 years ago. 169 of them this year alone and, so far, 41 this month (Mar 18).

From This Moment On ...

March

Thu 28: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 28: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 28: Richard Herdman Quartet @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Thu 28: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Josh Bentham (alto sax); Alan Marshall (tenor sax); Neil Brodie (trumpet); Adrian Beadnell (bass); Graham Thompson (keys); Steve Hunter (drums).

Fri 29: FILM: Soul @ The Forum Cinema, Hexham. 12:30pm. Jazz-themed film animation.
Fri 29: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 29: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 29: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 29: Abbie Finn Trio @ The Vault, Darlington. 6:00pm. Free. POSTPONED!
Fri 29: Thundercat @ Newcastle City Hall.
Fri 29: John Logan @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sat 30: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 30: Pete Tanton’s Cuba Libre @ Whitley Bay Library, York Road, Whitley Bay. 8:00pm.

Sun 31: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 31: Ruth Lambert Trio @ Juke Shed, Union Quay, North Shields NE30 1HJ. 3:00pm. Free. Lambert, Alan Law & Paul Grainger.
Sun 31: Sid Jacobs & Tom Remon @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig. USA/London jazz guitar duo.
Sun 31: Bellavana @ The Globe, Newcastle. 8:00pm.

April
Mon 01: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 01: Ray Stubbs R&B All Stars @ Billy Bootlegger’s, Ouseburn, Newcastle. 3:00pm. Free.

Tue 02: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Dean Stockdale, Paul Grainger, Abbie Finn.

Wed 03: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 03: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 03: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Tuesday, November 05, 2013

Tête à Tête with Cécile McLorin Salvant

(By Debra Milne).
(Photo Cécile (right) with Jean-Francois Bonnel and Daryl Sherman)
By the time I catch up with Cécile McLorin Salvant, it is towards the end of the Whitley Bay Classic Jazz Party, after her 2nd set of the day, which was devoted to ‘Empress of the Blues’ Bessie Smith. Cécile has performed here several times, and was first brought along  in 2009 by the French reedsman Jean-Francois Bonnel, with whom she studied and performed  for a number of years.  It is particularly poignant that the festival’s founder, the greatly missed Mike Durham,  triggered   her extensive  study  of the legendary singer, by asking her to perform more Bessie Smith repertoire at this event. 
Cécile’s musical training was initially classical before she focussed on jazz, and her début album ‘Womanchild’  reflects her  breadth of interest in American musical heritage, combined with a  more contemporary approach with much of the material. Her vocal technique is excellent, and I ask whether  this is due to her classical background. She thinks not, as voice projection without a microphone is very important in classical singing, whereas in jazz the interpretation of spoken word is at the forefront.  As if to reinforce  this point, whilst we are talking several festival goers stop to relate (in French or  in English)  how much they enjoyed her Bessie Smith set, and how moved they were by her singing .  She  cites many other influences as a jazz vocalist,  and  has spent a lot of time listening to Betty Carter, as well as  a host of others including Louis Armstrong, Sarah Vaughan, Billie Holiday, Shirley Horn, Blossom Dearie, Dinah Washington  and Nancy Wilson.
Jazz in all its forms seems peripheral to popular culture in the UK, so does Cécile feel it is more mainstream in the US? Not really, she says, the audience is diminishing and mainly older, with  occasional exceptions  such as at Dizzy’s in NYC which is  frequented by a lot of music students and their arty friends. Jazz is never on mainstream TV. Even in New York, the range and quality of musicians seems reduced compared to her impression of 20-30 years ago. Cécile  may have access to some of the best players around, but those with a genuine love of ‘20s and ‘30s jazz are scarce, and tend to be  more interested  in  the instrumental  perspective.  I note that, similarly, the musicians in the various sets this weekend do seem pretty obsessed with the recreation of legendary  arrangements, whereas her focus is on the interpretation of lyrics, rather than recreating  an icon from the past.
So what are Cécile's plans for the future? In the coming year she plans to record her second album, but the material, personnel and recording dates are still to be finalised. It probably will be a selection of lesser known jazz standards, and possibly 1 or 2 originals. She is writing material but feels that it is not ready to be recorded, comparing her position to that of an unnamed poet who  said that the first 200 compositions  had to be written (badly), before one was able to create good poems.  Meanwhile, she has a busy schedule performing worldwide, in Europe, North and South America and Japan, with artists such as the Christian McBride Trio and Wynton Marsalis, the latter at the Lincoln Center. It seems that her career is on the brink of a big change.  She modestly denies this,  however, when I suggest that her next visit to north-east England is more likely to be at a bigger venue such as Sage Gateshead, Cécile  is most enthusiastic.  But our time  for conversation is up, as she has to go and prepare for possibly her last ever  performance at the Whitley Bay Classic Jazz Party, in a set of later Ellingtonia.  She may now be moving  on  in  her  journey  to  internationally acclaimed jazz singer,  but the experience Cécile McLorin Salvant has gained from her participation in this unique event is likely to have  a  significant  influence on her entire career.
Debra Milne.

1 comment :

Lance said...

Debra, Cécile's CD may or may not be the CD of the year. Her gig's are in the running but, irrespective, this has to be our interview of the year!

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