April
Fri 19: Cia Tomasso @ The Lit & Phil, Newcastle. 1:00pm. ‘Cia Tomasso sings Billie Holiday’. SOLD OUT!
Fri 19: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 19: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 19: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 19: Tweed River Jazz Band @ The Radio Rooms, Berwick. 7:00pm (doors). £5.00.
Fri 19: Lindsay Hannon: Tom Waits for No Man @ Seventeen Nineteen, Hendon, Sunderland. 7:30pm.
Fri 19: Levitation Orchestra + Nauta @ Cluny 2, Newcastle. 7:30pm (doors). £11.00.
Fri 19: Strictly Smokin’ Big Band @ The Witham, Barnard Castle. 8:00pm. ‘Ella & Ellington’.
Sat 20: Record Store Day…at a store near you!
Sat 20: Bright Street Band @ Washington Arts Centre. 6:30pm. Swing dance taster session (6:30pm) followed by Bright Street Big Band (7:30pm). £12.00.
Sat 20: Michael Woods @ Victoria Tunnel, Ouseburn, Newcastle. 7:00pm. Acoustic blues.
Sat 20: Rendezvous Jazz @ St Andrew’s Church, Monkseaton. 7:30pm. £10.00. (inc. a drink on arrival).
Sun 21: Jamie Toms Quartet @ Queen’s Hall, Hexham. 3:00pm.
Sun 21: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 21: Lindsay Hannon: Tom Waits for No Man @ Holy Grale, Durham. 5:00pm.
Sun 21: The Jazz Defenders @ Cluny 2. Doors 6:00pm. £15.00.
Sun 21: Edgar Rubenis @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig. Blues & ragtime guitar.
Sun 21: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 21: Art Themen with the Dean Stockdale Trio @ The Globe, Newcastle. 8:00pm. £10.00. +bf. JNE. SOLD OUT!
Mon 22: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Tue 23: Vieux Carre Hot 4 @ Victoria & Albert Inn, Seaton Delaval. 12:30-3:30pm. £12.00. ‘St George’s Day Afternoon Tea’. Gig with ‘Lashings of Victoria Sponge Cake, along with sandwiches & scones’.
Tue 23: Jalen Ngonda @ Newcastle University Students’ Union. POSTPONED!
Wed 24: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 24: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 24: Sinatra: Raw @ Darlington Hippodrome. 7:30pm. Richard Shelton.
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 24: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.
Thu 25: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 25: Jim Jams @ King’s Hall, Newcastle University. 1:15pm. Jim Jams’ funk collective.
Thu 25: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 25: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.
Thu 25: Jeremy McMurray & the Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm.
Thu 25: Kate O’Neill, Alan Law & Paul Grainger @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Thu 25: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Richie Emmerson (tenor sax); Neil Brodie (trumpet); Adrian Beadnell (bass); Garry Hadfield (keys).
3 comments :
Sad to hear this. He was one of the greats. Some pals saw him at the Wales Guitar Fest a few years back and said he was amazing and a perfect gentleman too, and very humble. His vertically stacked, close voiced chords were a trademark of his and something new at the time. They are very difficult to finger (big hands help) and in that respect he pushed the existing boundaries of jazz guitar playing. He had immaculate technique. Also he played a key role in guitar development and design both with Gibson and Guild. A truly nice guy who became a legendary figure and a member of jazz guitar royalty.
Roly
Although I never met Johnny Smith – I did have had mail contact with him over the years and found him to be a perfect gentleman. He was always totally modest about his enormous talent and about the extent of his influence on so many other guitarists.
I first heard his distinctive lush chording and crystal clear single-note soloing on the historic 1952 recording of ‘Moonlight in Vermont’.. This recording, with Stan Getz, gained great popularity even outside the regular jazz audience – and enjoyed very large sales. I soon began collecting every available Johnny Smith recording – and I still have and enjoy them all to this day.
Many people do not know that although the guitar was his first instrument, Johnny Smith began his professional career in the late 1940's as a trumpeter with the New York Philharmonic. However once Johnny’s mastery of the guitar in his inimitable and unique style was recognised he became staff guitarist with the NBC in the 1950s.
All the great jazz guitarists I have known have always spoken of their great admiration of Johnny both as a person and as one of the most influential jazz guitarists of all times.
Maurice Summerfield
Lance - you are the bearer of the bad news. As you know Johnny Smith was a major influence in my style of chordal playing. I also have everything he ever recorded. I had some fascinating conversations with him at a guitar seminar in Wrexham when he recalled some of his memories of recording with Jerri Southern and Ruth Price among others. He was a true gentleman who in recent years enjoyed game fishing in the gulf of California.
He was totally surprised by the reception he received from the guitarists at the seminar. I went to the seminar simply so I could meet him and a great moment for me was to have my photograph taken with the great man which was published in the Just Jazz Guitar magazine.
Post a Comment