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Bebop Spoken There

Raymond Chandler: “ I was walking the floor and listening to Khatchaturian working in a tractor factory. He called it a violin concerto. I called it a loose fan belt and the hell with it ". The Long Goodbye, Penguin 1959.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16350 (and counting) posts since we started blogging 16 years ago. 230 of them this year alone and, so far, 27 this month (April 11).

From This Moment On ...

April

Sat 20: Record Store Day…at a store near you!
Sat 20: Bright Street Band @ Washington Arts Centre. 6:30pm. Swing dance taster session (6:30pm) followed by Bright Street Big Band (7:30pm). £12.00.
Sat 20: Michael Woods @ Victoria Tunnel, Ouseburn, Newcastle. 7:00pm. Acoustic blues.
Sat 20: Rendezvous Jazz @ St Andrew’s Church, Monkseaton. 7:30pm. £10.00. (inc. a drink on arrival).

Sun 21: Jamie Toms Quartet @ Queen’s Hall, Hexham. 3:00pm.
Sun 21: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 21: Lindsay Hannon: Tom Waits for No Man @ Holy Grale, Durham. 5:00pm.
Sun 21: The Jazz Defenders @ Cluny 2. Doors 6:00pm. £15.00.
Sun 21: Edgar Rubenis @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig. Blues & ragtime guitar.
Sun 21: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 21: Art Themen with the Dean Stockdale Trio @ The Globe, Newcastle. 8:00pm. £10.00. +bf. JNE. SOLD OUT!

Mon 22: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 23: Vieux Carre Hot 4 @ Victoria & Albert Inn, Seaton Delaval. 12:30-3:30pm. £12.00. ‘St George’s Day Afternoon Tea’. Gig with ‘Lashings of Victoria Sponge Cake, along with sandwiches & scones’.
Tue 23: Jalen Ngonda @ Newcastle University Students’ Union. POSTPONED!

Wed 24: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 24: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 24: Sinatra: Raw @ Darlington Hippodrome. 7:30pm. Richard Shelton.
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 24: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.

Thu 25: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 25: Jim Jams @ King’s Hall, Newcastle University. 1:15pm. Jim Jams’ funk collective.
Thu 25: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 25: Death Trap @ Theatre Royal, Newcastle. 7:30pm. Rambert Dance Co. Two pieces inc. Goat (inspired by the music of Nina Simone) with on-stage musicians.
Thu 25: Jeremy McMurray & the Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm.
Thu 25: Kate O’Neill, Alan Law & Paul Grainger @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.
Thu 25: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Richie Emmerson (tenor sax); Neil Brodie (trumpet); Adrian Beadnell (bass); Garry Hadfield (keys).

Fri 26: Graham Hardy Quartet @ The Gala, Durham. 1:00pm. £8.00.
Fri 26: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 26: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 26: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 26: Paul Skerritt with the Danny Miller Big Band @ Glasshouse, Gateshead. 8:00pm.
Fri 26: Abbie Finn’s Finntet @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.

Saturday, March 26, 2011

Sage Gateshead International Jazz Festival - ACV – Friday 25th March 2011.

Andy Champion (bass), Adrian Tilbrook (drums), Paul Edis (piano/ keyboard), Graham Wilson (baritone/tenor sax) and Mark Williams (guitar). The first time I heard ACV I didn’t like them! If that sounds heretical please bear in mind that I have admitted (on this website) to being an ignoramus. Several gigs later, having moved from incomprehension to qualified approval, the Sage tonight was my “Damascus” (via the Bridge and Whitley Bay): I am converted! It was brilliant, from start to (all too soon) finish. I wanted to shout: “Put Soweto Kinch on hold – give us an encore”! Throbbing bass began it on A Line Made by Walking, and an amazing bowed bass solo brought the house down at the end on Without Bones. The latter ended with a HUGE crescendo: the former ended suddenly. Endings came in two forms tonight – ones that haven’t finished when you think they have, and ones that finish before you realise. Both types caught me out (ignoramus!) and typified this band’s inventiveness and unpredictability. Second up was a more lyrical “debut” piece called Dust Red – was this inspired by Consett Ale, I wondered? This was followed by the enigmatic anagramatical Giant Mice – more funky than lyrical - and quirky (in spades!), starting as it did with Paul’s synthesised mouse intro and leading into enthusiastically received solos from him and from Mark. Andy’s anecdotal announcement of the next number, Nutmeg State, mentioned both Old Peculier (so last season) and Brandy-Milk Punch – hence my speculation about Consett Ale. No, I was NOT aware of the hallucinogenic properties of nutmeg, but this gave a flavour (so to speak)! In my note-pad I wrote the following: “MAD!!! Killer-bees!? Dali does jazz? ATTACK ALL INSTRUMENTS”! (And I was drinking water at the time!) Never Ever – announced by Andy as the “total opposite” - calmed things down with an almost classical feel (piano and bowed bass) until Mark’s guitar ramped it up to a rock-style crescendo before falling away again to a quiet (and for once expected) ending. It was the last “quiet” of the night as Fail in Wood (did I mention that the boys have a CD out by that name? Well worth buying, on tonight’s evidence!) was followed by the aforementioned Without Bones, the kamikaze pace of which left even an ignoramus impressed with the musicians’ brilliant timing. So my first encounter prompted the comment: “I’ve never heard anything like it! ” - as did tonight’s performance, but what a world of difference in meaning between those two utterances!
Jerry. (who also took the photos - ed.)

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